New mural by Turner Prize nominee Claudette Johnson launches at Brixton Tube station

• Three Women is Johnson's first public artwork and centres around the Black female experience with reference to Picasso's Les Demoiselles d'Avignon
• This new mural by Claudette Johnson follows a series of murals exhibited at the south London station since 2018 by esteemed artists including Denzil Forrester, Joy Labinjo and Njideka Akunyili Crosby
• People can see more of Johnson's work at the Turner Prize 2024 exhibition at the Tate Britain in Pimlico, just three stops away from Brixton on the Victoria line

A new mural by renowned British artist and Turner Prize 2024 nominee Claudette Johnson has launched today (Friday 25 October) at Brixton Underground station as part of Transport for London's (TfL) Art on the Underground programme.

Johnson's first public artwork, Three Women, follows a changing series of murals installed at Brixton Underground station by artists including Denzil Forrester, Joy Labinjo and Njideka Akunyili Crosby, in recognition of the local murals painted in the area in the 1980s.

Three Women is a three-part artwork known as a triptych that features Black female figures referenced in one of her previous works, Trilogy 1982-86, which she created in the 1980s. The sitting positions of the Black female figures share a resonance with Picasso's Les Demoiselles d'Avignon (1907). This painting by Picasso, whose problematic and fractured engagement with African art and the female form marked shifts in Johnson's early work, evoked questions about how she might locate herself in her work, and as a Black woman confront the denials and distortions of Western art history. With Three Women, Johnson returns to these questions with three subjects instilled with a self-possessed subjectivity that runs counter to the eroticised forms and colonial gaze of modernist art movements. 

Johnson works primarily in large-scale drawings, using a range of media, from gouache and watercolour to oil, pastel and pencil. Often captured from life, Johnson's figures are monolithic in scale, reaching to the edges of the frame and yet intimately encountered. Addressing the personal as political and challenging harmful stereotypes of representation through human figures and gesture, Johnson's work gives space and power to the presence of Black people and offers a mediation on shared humanity.

Depicted in monumental form for Brixton Underground station, these figures reach beyond the composition, as though resisting the confines of the conventional frame and interrupting a homogenised understanding of African art and of the Black female figure.

Claudette Johnson, said: "Three Women was inspired by an earlier work, Trilogy 1982-86, which depicts three standing figures adopting poses that reflect their way of being in the world. In Three Women, I have loosely referenced Picasso's 1907 painting, Les Demoiselles D'Avignon by having the sitters adopt seated poses that reflect those of some of 'les demoiselles'. I am fascinated by the power that emanates from these postures and this is borne from my longstanding interest in women, power and how we claim space in places where we have been absent, obscured, caricatured or denied."

Justine Simons OBE, Deputy Mayor for Culture and the Creative Industries, said: "Art on the Underground is part of the fabric of London's transport network and an amazing way to showcase incredible artistic talent to millions of people every day. I'm delighted that the renowned Claudette Johnson is the next artist to display her work at Brixton Underground station - putting a triptych of Black women centre stage and telling the unique story of their lived experiences. I hope it will inspire commuters and visitors travelling in our city as we build a better London for everyone."

Eleanor Pinfield, Head of Art on the Underground, said: "Claudette Johnson's new artwork honours the Black female experience through this bold triptych, continuing Art on the Underground's exploration of contemporary responses to muralism at Brixton station. Johnson combines a monolithic scale with an intimacy in our encounter with her subjects. For this commission, Johnson has referenced work she made in the 1980s, a period of wide expansion of muralism through south London. Johnson's expressive new work will be enjoyed by millions of people using the Underground station each day."

Cllr Donatus Anyanwu, Lambeth's Cabinet Member for Stronger Communities, said: "I'm delighted this new mural by Claudette Johnson has been installed at Brixton Tube station where thousands of our residents will be able to enjoy it as they travel on the London Underground or visit the town centre. It's such a prominent location and a wonderful opportunity to celebrate Claudette's incredible artistic achievements, particularly as we're currently marking Black History Month."

Claudette Johnson has been nominated for the 2024 Turner Prize, one of the world's most prestigious art awards. Her work is currently included in The Turner Prize exhibition at Tate Britain, alongside fellow nominees Pio Abad, Jasleen Kaur and Delaine Le Bas. The prize will be awarded on 3 December 2024 at a ceremony at Tate Britain, and the exhibition runs until 16 February and is just three stops away from Brixton on the Victoria line, in Pimlico.

A founding member of the BLK Art Group in Wolverhampton in the early 1980s, Johnson is one of the foremost figurative artists working in Britain today.

Initiated in 2018, the mural programme at Brixton Underground station invites artists to respond to the diverse narratives of the area, in recognition of the local murals painted in the 1980s.

Notes to Editor

About Art on the Underground

Art on the Underground invites artists to create projects for London's Underground that are seen by millions of people each day, changing the way people experience their city. Incorporating a range of artistic media from painting, installation, sculpture, digital, and performance, to prints and custom Tube map covers, the programme produces critically acclaimed projects that are accessible to all, and which draw together London's diverse communities. Since its inception, Art on the Underground has presented commissions by UK-based and international artists including Helen Cammock, Barby Asante, Monster Chetwynd and Joy Gregory, allowing the programme to remain at the forefront of contemporary debate on how art can shape public space.

Reed, the family-run recruitment and business services company, is the 2024 annual sponsor for the Art on the Underground programme.

About Claudette Johnson

Claudette Johnson MBE RA (b. 1959, Manchester, UK) lives and works in London. Johnson started her career as part of the newly formed BLK Art Group, which she joined in 1981 while a student at Wolverhampton University. In the 1980s Johnson showed her work in a number of significant exhibitions including Five Black Women, Africa Centre, London (1983); Black Women Time Now, Battersea Arts Centre, London (1984); The Thin Black Line, Institute of Contemporary Arts, London (1985) and In This Skin: Drawings by Claudette Johnson, Black Art Gallery, London (1992). In 2022, Johnson was awarded an honorary Doctorate of Arts by Wolverhampton University, and in 2024, a City Lit Fellowship.

Johnson is nominated for the 2024 Turner Prize, which opens at Tate Britain in September 2024. Her solo exhibition Darker Than Blue is on view at the The Barber Institute of Fine Arts, Birmingham until 15 September 2024, and she is currently included in the National Portrait Gallery touring exhibition The Time is Always Now, The Box, Plymouth; the Hayward Gallery touring exhibition Acts of Creation: On Art and Motherhood, MAC Birmingham, and Women in Revolt!, National Galleries of Scotland. Recent solo exhibitions include Presence, The Courtauld Gallery, London; Drawn Out, Ortuzar Projects, New York (both 2023); Still Here, Hollybush Gardens, London (2021); Claudette Johnson: I Came to Dance, Modern Art Oxford (2019); Hollybush Gardens, London (2017). She has participated in numerous group exhibitions including: The Time of Our Lives, Drawing Room, London (2024); Women in Revolt!, Tate Britain, London; A Tall Order!: Rochdale Art Gallery in the 1980s, Touchstones Gallery, Rochdale (both 2023); Rock My Soul II (Stockholm), Galleri Futura, Stockholm; Courtauld Connections: Works from our National Partners, The Project Space, The Courtauld Gallery, London; Drawing Closer, RISD Museum, Rhode Island; On Love, HOME, London; Me, Myself and I: Artists' Self-Portraits, Royal West of England Academy, Bristol (all 2022); Life Between Islands: Caribbean-British Art 50s — Now, Tate Britain, London; Coventry Biennial 2021: HYPER-POSSIBLE, Herbert Art Gallery & Museum, Coventry; Bodies in Space, MIRROR, Plymouth College of Art, Plymouth; From Hockney to Himid: Sixty Years of British Printmaking, Pallant House Gallery, Chichester; Am I Asking for Miracles Here?, The House of St. Barnabas, London; Landscape Portrait: Now and Then, Hestercombe Gallery, Somerset (all 2021); Close: Drawn Portraits, The Drawing Room, London (2018); The Place Is Here, South London Gallery and Nottingham Contemporary, UK (both 2017); No Colour Bar: Black British Art in Action 1960-1990, Guildhall Art Gallery, London (2015-16); and Thin Black Line(s), Tate Britain, London (2012).

Johnson's work is held in numerous public collections, including Tate, London, UK; The Courtauld Gallery, UK; British Council, UK; Arts Council England, UK; Fitzwilliam Museum, Cambridge, UK, Manchester Art Gallery, UK; Wolverhampton Art Gallery, UK; Rugby Museum, UK; Herbert Art Gallery & Museum, UK; Sharjah Art Foundation, UAE, and Baltimore Museum of Art, USA.